Dalla DallaвЂs charismatic choreography helped to fuel that, punchy and enthusiastic with a sense of unpredictability that keeps eyes glued to the screen. Like TXT, ITZY came out of the gate with a fully-formed identity. I love how it opens and closes with the exact same formation, giving the routine a satisfying symmetry. Emphasizing friendship and unity, the choreography is unique and playful with an undeniably youthful charm.

Still, some of its most impressive moments shine spotlight on only one or two members.ДЇresh and fun, CrownвЂs routine was yet another ingredient that contributed to TXTвЂ™s musical identity. Hit is one of their most fast-paced, unrelenting dances, perfectly capturing the intensity of the song while taking advantage of their large configuration. Seventeen have never produced a bad dance routine, but theyвЂ™re at their best when they really go for the jugular. Its chorus is instantly iconic, offering endless fodder for cover performances and random play dance challenges. Opening with an addictive, twirling diagonal formation, Fancy goes on to deliver some of the most memorable girl group choreo of the year. Of all of their routines, it felt the closest to the pirate aesthetic they were going for, highlighted by that eye-catching point dance during the chorus. Say My NameвЂs choreography played around with pacing, speeding up and slowing down as the song warranted. The routine is all about restraint, drawing the eye with its languid movements before clobbering you over the head with a dynamic breakdown.Дelicate and interpretive, LOONAвЂ™s Butterfly produced some memorable formations, morphing to replicate wings and delivering a satisfying domino effect as the girls descended into a perfectly synchronized dance line. Wannabe repainted Golden ChildвЂ™s concept with darker tones, and its choreography matched that transformation.

ThereвЂ™s a connectivity to the formations, often linking the members together for some inventive interactions. Perfectly accentuating the music, VioletaвЂs choreography was all about the girlsвЂ™ near-constant arm movement, taking advantage of IZ*ONEвЂ™s large group configuration to craft waves of synchronized point moves.ДЄ very stylish routine, with a sense of fluidity you donвЂ™t often see in boy group choreography. + Make sure to check out the rest of the year-end countdowns here! Instead, these are the top ten performances that really stood out to me this year. IвЂ™m nowhere near qualified to judge that. While there are no concrete plans yet, Alif has expressed that he hopes to work further with the company.You canвЂ™t have a K-pop comeback without choreography! However, this is not a list of 2019вЂ™s most difficult or technically impressive dance routines. He sharedВ with AsiaOne that the entertainment company contacted him first and they hadВ been working on it since November.ДЇans of the group were particularly surprised, since it is a first for Big Hit Entertainment to work with a Singaporean choreographer.

In an Instagram post, Alif shared a video of TXT's debut stage for the song Blue Orangeaid,В revealingВ that he is the mastermind behind its energetic choreography. What better way to start by reaching out to Singaporean dance instructor Alif Archo, who teaches at Danz People studio. Boasting an international lineup, it is obvious that TXTВ are aiming for global domination alongside BTS. The team, which made their debut yesterday (March 4), are labelmates with K-pop juggernautВ BTS. His achievement? Choreographing for Big Hit Entertainment's newest K-pop boy group TXT. Like a page from a storybook, one local dancer has had the opportunity to represent Singapore in the Korean pop industry.

Txt crown choreographer